Back in 1997, Stephen Malkmus was asked in an interview when it was that Pavement sold out or tried to make their sound more accessible. To the interviewer’s surprise, the indie hero said Slanted and Enchanted, the band’s celebrated 1992 debut. “We made a bunch of singles before that,” Malkmus recalled. Slanted might seem dissonant and avant-garde in retrospect, he said, “but then I felt it was such a pop album.”
Indeed, songs like “Summer Babe” and “Zurich Is Stained” were actually lovely pop nuggets in comparison to the crazy, caustic noise rock that Pavement offered in the very earliest years of their career. To Malkmus, if not to many critics and fans, Slanted was just the first step in the band’s reconciliation with the “mainstream” of the indie music industry, such as it was.
One shouldn’t forget the context into which Pavement strode into semi-public consciousness, as prospective entrants…
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